Tag Archives: Literary Fiction

Richard Robbins

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APRIL 23, 2018: We welcome our newest author to the Evolved Publishing Team.
 
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Richard has always liked telling good stories, but not until his youngest child left for college was he able to find the time to put them into print. His first novel, Love, Loss, and Lagniappe was inspired by actual events in his life, and utilizes Richard’s Medical and Business School background to explore the journey of self-discovery after heartbreaking loss, while revealing the scientific basis for the meaning of life. (You’ll have to read it to find out!)

Richard is currently working on his second novel, Panicles, a multi-generational story of the intersecting fate of two families, and the price of fame versus the simpler pleasures of a grounded life.

Richard lives in New York City with his love and inspiration, Lisa, his wife of thirty years (and counting), near their beloved grown children.

Books

Coming soon….

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COMING NOVEMBER 2018: Love, Loss, and Lagniappe (Inspired by Actual Events)

Life is good for Dr. Drew Coleman, a successful young eye surgeon living in Uptown New Orleans, and he knows it. Having met and married his beautiful medical school classmate, Kate, the two settle happily into the routine of raising their two young daughters.

Drew’s charmed life is soon shattered by devastating news, causing him to go on a ten-year transcontinental journey of self-discovery, during which he explores the nature of God and Man, the divine inspiration for many of New York’s landmarks and artistic treasures, and the relationship between the found and the lost souls passing on the street. He meets a number of memorable characters, including the young blue-haired runaway, Blue, who renounced her given name when forced to leave her Minnesota home with her girlfriend, Anna.

In time, he discovers and explains the scientific basis for the meaning of life, and is finally found, or finds himself, setting the stage for a bittersweet and memorable ending.

Carmen Kemp

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I’m a born and raised Southern California girl who loves sunny days, horror movies, and traveling. I’ve had a love of words since I was a little girl, and spent several summers reading as many books as I could get my hands on. My love of reading led to a love of writing. I’ve been keeping diaries, which turned into journals, since I was ten years old. My goal was always to write a novel, but I wasn’t certain I could until I stopped wishing for it and started doing it.

Books

Coming soon….

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Watch for Participant, a literary/women’s fiction book, to release in the spring of 2018.

Cassandra signs up for modeling school in her twenties. Will that save her from herself, or is modeling school just for kids?

Cassandra spends most sunny California days in a drab cubicle, toiling away at a job that crushes her soul, and goes home to a dysfunctional relationship that is doing a number on her heart. Plagued with discontent and haunted by an unsettling melancholy, she only worsens after her fiancé of almost three years packs up his things and leaves.

Desperate to pull herself out of a downward spiral, she spends money she doesn’t have on classes at the Chloe Dillon Modeling and Acting Center. Unexpectedly, she discovers a passion for acting.

Self-discovery and new friendships abound at the Chloe Dillon Modeling and Acting Center, where she opens her eyes to positive affirmations and mingles with talented, ambitious classmates. She’s turning her life around, painstakingly learning to love life… and herself. As she battles her way through self-doubt, fear, and depression, she musters the courage to risk it all, quitting her dreaded job and pursuing a huge opportunity that could help her break into the acting industry.

In the throes of preparation for the big industry showcase, Cassandra learns that her estranged fiancé has been diagnosed with a serious illness. In a financially and emotionally precarious situation, she must choose between a newly discovered ambition that might never become reality, and the relative safety and sense of loyalty she feels for the only man she has ever loved.

Nillu Nasser Talks about the Writing of “All the Tomorrows”

We are pleased that author Nillu Nasser has stopped by to offer some insights on the writing of her new book, All the Tomorrows, which officially releases on Monday, November 6, 2017. And if you needed any more reason to be excited about this amazing book, just click on the picture below to see what 3 separate reviewers have said about it:

Without further ado, we turn this over to Nillu.

 

How I researched All the Tomorrows

by Nillu Nasser

 
Committing to a story idea is a funny thing, at least for me. It’s a decision that is made half with the heart, half with the head. My debut novel grew from an image I just couldn’t shake: a filthy, older, Indian man, pressed up against a window. That image refused to leave me for weeks, and my imagination began building on it. That’s when I know a story is worth investing in.

By the time I began writing the book in earnest, I knew the central character was a homeless man with a long lost love, and that he lived somewhere humid. Writing a novel, especially your first one, can be a daunting task. I had a hero, and the beginnings of a setting, but I decided to draw on my own experience rather than researching a setting from scratch.

I’m of Indian heritage, and so India seemed a sensible choice, and I loved the opportunities the setting brought to the story: the colour, the food and traditions. I knew my hero belonged here. That’s how All the Tomorrows was born, a story about second chances that unravels amongst the dust and grime of the Mumbai’s streets and behind the gates of opulent houses.

Still, there were gaps in my knowledge. I am at one Indian, and removed from India. My grandparents were born there, but I was born in the UK. My family traditions are rooted in both India and East Africa, with a splash of Britain thrown in. I have visited India twice, once as a child and once in my early twenties. My recollections are broad brush strokes: the smell of street food, the sticky heat, the palaces in Jaipur, the imploring faces of child beggars pressed against cool taxi windows.

For the details of my novel, I turned to travel guides and photo books. Cousins of mine, who live in Mumbai, provided eyewitness accounts. Friends sent me pictures of their own travels there. I watched Bollywood movies to drink up the setting. The internet opened up a wormhole, an unfiltered surplus of information, causing hours to disappear with the click of my trackpad.

How easy it is to get sidetracked. I needed to know the dates Indira Gandhi was Prime Minister, and within moments I was drawn into the tragic glamour of the Gandhi family, history I once knew, but which had all but escaped through the sieve of my memory: Indira’s rise to power, the loss of her politically-minded younger son in a plane crash, convincing her elder son to run for parliament and setting him on the path to his assassination ten years later, her own murder, and how the wives of her dead sons are on opposing sides of the political spectrum in today’s India.

Creativity is often about dreaming and drifting, as much as it is about perceiving and persistence. I liked how my research caused me to meander, how the novel was shaped by a chain reaction to materials I came across, and how my ideas morphed into something new.

For me, the best fiction shows glimpses of research but never burdens the reader; it is entertaining first and foremost. Fiction writers are not historians. Our magic power is making up worlds, with the hope that they are believable and authentic. Hopefully, I’ve achieved this with All the Tomorrows. I hope you’ll pick up a copy to find out.

Releasing November 6, 2017 (Now Available for Pre-Order): All the Tomorrows


Sometimes we can’t escape the webs we are born into. Sometimes we are the architects of our own fall.

Akash Choudry wants a love for all time, not an arranged marriage. Still, under the weight of parental hopes, he agrees to one. He and Jaya marry in a cloud of colour and spice in Bombay. Their marriage has barely begun when Akash embarks on an affair.

Jaya can’t contemplate sharing her husband with another woman, or looking past his indiscretions as her mother suggests. Cornered by sexual politics, she takes her fate into her own hands in the form of a lit match.

Nothing endures fire. As shards of their past threaten their future, will Jaya ever bloom into the woman she can be, and will redemption be within Akash’s reach?
 
For more on the author, please visit her page here: Nillu Nasser.

Patrick Canning

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Patrick spends as much time as possible turning coffee into collections of words that look like books, shorts, and screenplays. Most of his stories attempt to look for the meaning of life in an adventurous way, and often employ humor, important since the search usually doesn’t turn up much. He is scared to use semi colons and rarely puts his seat back on airplanes.

Books

Coming soon….

Up Next

A peculiar explorer and downtrodden acrobat span the globe on a building-sized hot air balloon, in search of a precious artifact and the murderous treasure hunter who seeks it.

Watch for (the tentatively titled) The Colonel and the Acrobat, a harrowing literary adventure, to release in the spring of 2018.

Beatrix, a spirited but abused acrobat in a traveling circus, seeks more than her prison-like employment offers. More than anything, she wants to know her place in the world of the halcyon 19th century, a time when the last dark corners of the map were being sketched out and travel still possessed a kind of magic.

One night in Switzerland, the mysterious Colonel James Bacchus attends Beatrix’s show. This larger-than-life English gentleman, reputed to have a voracious appetite for female conquests, is most notable for traveling the world in a four-story hot air balloon called The Ox.

Beatrix flees that night to join the Colonel, and the two of them make a narrow escape—Beatrix from her abusive ringleader, the Colonel from a freshly-made cuckold. Beatrix, feeling the Colonel may have the answers to her problems, pledges to help him catch the criminal he seeks in exchange for passage on his magnificent balloon.

The criminal seeks a precious figurine, The Blue Star Sphinx, but he’s not alone. The Sphinx’s immense value has also drawn the attention of the world’s most deadly treasure hunters. A murder in Antwerp begins a path of mystery that leads all the way to the most isolated island on Earth.

What dangers await the Colonel and the acrobat?

Author Dr. Richard Barager Talks about the Interesting Subject Matter of His New Book “The Atheist and the Parrotfish”

We are pleased to welcome to our blog today Richard Barager, the author of the exciting new upmarket literary novel, The Atheist and the Parrotfish. He speaks a little about his process, and about what led him to the unusual but compelling story he brings us.

 
A frequent question in author interviews is this one: “What made you decide to write this book, of all the books you might have written?” In the case of my latest novel, The Atheist and the Parrotfish, there were two images seared on my brain decades ago that lingered and refused to go away. The exploration of what they meant became the basis for my novel.

One was of an encounter with a patient of mine, years ago. He was a gruff tradesman who came to my office one day wearing a dress and a bra and female wig, at a time when public cross-dressing was rare. I asked him why he was dressed like a woman. “Because I like it,” he said. “And that’s all I want to say about it.” I wondered ever since what exactly it was that he liked about wearing a dress? My memory of him that day eventually gave rise, over two decades later, to my exploration of what it means to be transgender—and why—through the character of Ennis Willoughby, described as follows in the story.

“Hairless legs latticed by thick veins peeked out between the rims of his white socks and the hem of his dress. With caved in temples and sunken cheeks, a dusky wattle dangling practically to his chest, broken teeth, sallow skin, and a glaze of despair in his eyes…All he lacked was the striped garb of Auschwitz.”

Another image indelibly graven unto my brain back then came during a trip to Paris, on a visit to the Louvre. I came around a corner and confronted one of the most arresting and disturbing paintings I have ever seen, a masterpiece by the Romantic painter Paul Delaroche, entitled La Jeune Martyre (The Young Martyr). It was of a young girl floating face up in the Tiber River, with her shear white dress billowing in the water and her wrists bound in front of her. A halo hovered over her, described in my novel as “…a thin gold circle of empyreal light…The lambency of the halo colored everything beneath it soft and yellow, even in the dark, lapping water.” The intensity of Delaroche’s rendering marinated in my mind for years and finally launched me on an exploration of religious skepticism and faith.

My memories of these images formed within several years of each other, but I had no way of knowing at the time that not only would I search for their meaning two decades later, but that I would do so in the same novel. Nor would I have believed it possible that my story would discover the same essential truth in each, a brilliant paradox common to Christianity and to cross-dressing. So striking was this elemental truth that I nearly titled my novel The Christian and the Cross-Dresser, instead of The Atheist and the Parrotfish. (Parrotfish, by the way, are hermaphrodites, spending part of their life cycle as male and part as female—like Ennis.)

What made me want to write this story, you ask? What makes most writers want to write literary fiction—the search for truth.
 

GRAB YOUR COPY TODAY!.

 

 
A doctor’s religious doubt is shaken by a transplant patient’s eerie knowledge of his organ donor’s most intimate secret.

Doctors tend to the needs of their patients, but patients give meaning to the lives of their doctors. So it is for Cullen Brodie, a twice-divorced California nephrologist, and Ennis Willoughby, a troubled cross-dresser whose life is saved by a rare heart-and-kidney transplant.

Cullen’s bitter disbelief in the afterlife is tested when Ennis begins to exhibit tastes and characteristics uncannily similar to those of his female organ donor—whose first name Ennis inexplicably knows. When Ennis becomes convinced that the donor’s soul has inhabited him, Cullen sides with Ennis’s psychiatrist, who tells Ennis he has subconsciously confused his emerging transgender personality with the imagined characteristics of his female donor.

While his psychiatrist coaxes forth Ennis’s female side, Cullen is summoned to the South Pacific by an old lover for a reckoning of their past. On the island paradise of Rarotonga, he is forced to confront the heartrending truth about a tragedy that destroyed their college romance—a tragedy Cullen blames on religious zealotry.

Filled with resentment over what he has learned, Cullen returns to Southern California determined to shatter Ennis’s delusion of ensoulment. But Ennis’s eerie knowledge of his donor’s greatest secret forces Cullen to consider the unimaginable: Is it possible he is witness to a verifiable incident of transmigration, tangible proof of a human soul? Or is he witness instead to the miracle of being transgender? Male and female at once, the glory of one and the glory of the other, both shining—like a parrotfish, another miracle of nature, changing gender apace, beside its glorious, ever-changing hue.